Tuesday, September 28, 2010

Friday, April 30, 2010

"...I happen to paint things that reflect the basic truths of life: sky, earth, friends, the intimate things." Andrew Wyeth.

Wyeth rented studio space in that house.

Wyeth used his upstairs studio for 30 years, and featured the house in many paintings and lithographs. He captured stark rooms, austere mantels, and somber rooftop views.

Everyone knows that old houses take on the personalities of their owners, but Wyeth knew something more. "In the portraits of that house, the windows are eyes or pieces of the soul, almost," he said years later. "To me, each window is a different part of Christina's life."

Christina Olson died in 1969. She had lived in the house her entire life. Neighbors say she had no idea that her small world had become famous.

Over the next twenty years, the house changed hands several times. For awhile there was nervous speculation that it would become yet another bed and breakfast inn. One owner, movie mogul Joseph Levine, brought in Hollywood set builders to "authenticate" the place by spraying its rooms with fake cobwebs and weathering the facade so it resembled the building Wyeth painted. Finally, the house sold to John Sculley, former CEO of Apple Computer Inc., and Lee Adams Sculley. In 1991 they gave it to the Farnsworth Art Museum in nearby Rockland.

MoMA | The Collection | Andrew Wyeth. Christina's World. 1948

MoMA The Collection Andrew Wyeth. Christina's World. 1948

WYETH, Andrew: Christina's World

WYETH, Andrew: Christina's World

The painting : Spiritual life amidst melancholic desolation

The woman of the painting is Christina Olson (May 3, 1893 - January 27, 1968). She had an undiagnosed muscular deterioration that paralyzed her lower body. Wyeth was inspired to create the painting when through a window from within the house he saw her crawling across a field. Wyeth had a summer home in the area and was on friendly terms with Olson, using her and her younger brother as the subject of paintings from 1940 to 1968.[2] Although Olson was the inspiration and subject of the painting, she was not the primary model — Wyeth's wife Betsy posed as the torso of the painting.[2] Although the woman in the painting appears young, Olson was 55 at the time Wyeth created the work.[2]

The house depicted in the painting is known as the Olson House, and is located in Cushing, Maine. It is open to the public as a part of the Farnsworth Museum complex[3]; it is on the U.S. National Register of Historic Places, and has been restored to match its appearance in the painting.[citation needed] In the painting, Wyeth separated the house from its barn and changed the lay of the land.